Nina Fischer & Maroan el Sani -Spelling Dystopia Narita Field Trip

Nina Fischer & Maroan el Sani

Internationally respected, Berlin based artists Nina Fischer and Maroan el Sani exhibited at MART Gallery, with support from the Irish Museum of Modern Art, Goethe Institut, Institut für Auslandsbeziehungen  and German Embassy. 

Including an introductory talk and participatory workshop with the artists, and seminars in association with the National College of Art and Design and the Institute of Art Design and Technology Dun Laoghaire. 

Curated by Barry Kehoe (IMMA)

October 2014 

NINA FISCHER and MAROAN EL SANI

This exhibition curated by Barry Kehoe in the MART Gallery brings the work of Nina Fischer and Maroan el Sani to Dublin for the first time. The two Berlin based artists have been working together since the early 1990s documenting modern ruins, forgotten sites that remain as traces refusing to disappear and communities that resist the pressures of being overpowered by problematic urban development and catastrophe. They also explore the influence of cinematic memory on collective memory in locations where, as film locations in cinematic narratives, the cinematic memory has superseded local histories and narratives. Their art works are part of a wider tradition in socially engaged art practice that is both an effective and proactive form of resistance to tendencies of forgetting and amnesia embedded in urban cultural practices, architectural development and the economic structures of the contemporary world.

Though they are not psycho-geographers per say, they share much in common with modes of subversive resistance to the changing urban environment found in Baudelaire’s flâneur, Guy Debord’s psycho-geographer, and Freud’s ideas of the uncanny. Their explorations of various sites around the world highlight discrepancies between official perspectives, national histories, urban policy and city planning that don’t recognise or may even be trying to consign to oblivion local knowledge, hidden histories and the lived experiences of counter cultures. Acting as detectives and sometimes almost in the role of political or social activist they uncover “blind spots” in the narratives of site specific histories, always conscientious of their position as artist in any given location or community where they find inspiration for their work.

From 2007 to 2010 the artists were Associate Professors at the School of Art and Design in Sapporo City University in Japan. During this time they continued making works based on their understanding of “blind spots.” These included the two works selected for the current exhibition: Spelling Dystopia (HD,16:9, 2 channel video installation, colour, stereo, 17:25 min. 2008/9) and Narita Field Trip, (HD, colour, stereo, 30 min. 2010).

Narita Field Trip looks at how two Tokyo teenagers deal with the experience of encountering a farming community that is fighting against the expansion of Narita airport, a development that threatens to swallow and destroy their farms, homes, livelihood and community.

Spelling Dystopia, is a film that explores a community’s memory of the abandoned coal mining centre, Hashima Island, once the most densely populated place on earth, now known only as the backdrop for the teen horror movie Battle Royale (2000) and as a home for the Bond villain in Skyfall (2012).

More recently the artists returned to Japan to make Spirits Closing Their Eyes, (2012) and I Live in Fear – After March 11 (2013) the latter of which was shown in the IFI by the Experimental Film Club as part of the current exhibition programme. These most recent works “focus on the current physical and psychological state of emergency which oscillates between actual threat and subtle changes in everyday habits,” since the catastrophe of the Fukushima Nuclear disaster.

These art works that the artists have made in Japan also touch on the tensions that arise between the forces of globalisation and specific local narratives.  These tensions have implications for all citizens of the world. The works that have grown from specific sites, events and communities can also have universal consequences that resonate and can affect the daily lives of people in distant and far off places on the other side of the planet.

At the former West Congress in 2013 where both Nina Fischer and Maroan el Sani were participating artists one of the main public lectures was given by Homi Bhabha, Director of the Humanities Centre at Harvard University. He delivered a keynote lecture that began with the idea of the cosmopolitan (the citizen of the world) and he spoke of Kant’s idea of hospitality and the ethics surrounding how we should behave to strangers.  He described the way in which, as human beings, we share the planet and because we live on a globe if we take a position where we are moving away from a person we are in fact also moving towards them in the opposite direction.

This anecdote highlights something of the reality of being part of this world and the problematic position of avoidance or disregard toward any of our neighbours local or global.  It is a way of illustrating that no matter how far we feel removed from many of the others with whom we share the planet we are ultimately and profoundly connected to one another.

Artists:                   Nina Fischer and Maroan el Sani

Curator                  Barry Kehoe

Assist. Curator:    Katharine Maurer

Producers:           Ciara Scanlan and Matthew Nevin

Technician:         Barry Lynch

Graphic Design:     Andrew Behan

AV:                             Eidotech

Sponsors:             MART, The Arts Council, Institut für Auslandsbeziehungen, The Goethe Institut Dublin, IADT Dunlaoghaire, Irish Museum of Modern Art, Dublin City Council, IFI, Experimental Film Club, NCAD.

Landmarked

Joe Caslin, ADW, GAG, IIJIN, KIN, MARCAMIX, Eoin.

MART Gallery, Rathmines

21 -21 August 2014

Landmarks can be created in the urban environment through the work of the street artist. In a time where little investment is made into the aesthetic life of the city, artists are taking matters into there own hands through commissioned and non-commissioned works in the public sphere. Their art is breathing life into the public space.

The ‘Landmarked’ exhibition will bring some of the best elements of such works under the roof of the iconic fire station in Rathmines – a landmark in itself. The interior walls of the gallery will be covered from top to bottom with the work, making for an immersive experience.

While vibrant and compelling, the exhibition will also be inclusive, reaching out to the members of the street art scene and to the general public, the people of Dublin. A rich mix of music and workshop events will encourage all to engage with the ideas behind the show. A mini jam will also take place during the run of the exhibition, when artists will be invited to paint the back area of the gallery to the sound of live DJs’ music.

Imitator – Kyoto Arts Center

2 – 10 August 2014

Ciara Scanlan, Matthew Nevin, Trish McAdam, Andrew Carson and Róisín O

Kyoto Art Centre, Japan 

 ‘Imitation is the sincerest form of flattery’

Ciara Scanlan & Matthew Nevin have collaborated with 3 Irish Artists, to produce a performative video installation to be exhibited in Kyoto Arts Centre. The narcissism of modern culture; selfies, minor feats of ‘fame’ and our obsession with self indulgent self promotion via social media has changed how we live day to day. The project involves artists Ciara Scanlan & Matthew Nevin, [ curators of MART www.mart.ie] working alongside Trish McAdam a filmmaker and Artist, Andrew Carson a Visual Artist and Róisín O a singer to utilize their talents from their own disciplines to analyse the process of ‘imitation’. Visitors and participants will be invited to copy and create their own versions of the videos and share on social media creating a viral thread of imitators.

With thanks to Karl Martini the videographer for Andrew Carson and Róisín O videos.

190A Retelling

Artists: Sinead Bligh, Gerard Erraught, Jessica Kelly, Ciara Scanlan, Emily O’Callaghan, Jim O’Callaghan, Trish McAdam.

The MART Gallery, 190a Rathmines Road Lower, Rathmines, Dublin 6.

MART invited the local public, former residents of the building and The Dublin Fire Brigade to attend and tell a story or two about “190a”, and visit the new incarnation as a Gallery and meet the new residents, Artists. 

‘The house shelters day-dreaming, the house protects the dreamer, the house allows one to dream in peace.”  Gaston Gachelard – The poetics of space.

MART curators Matthew Nevin & Ciara Scanlan have invited 5 artists to make site-specific works around the newly renovated 150 year old fire station in Rathimnes. Through the re-appropriation of old forgotten artefacts and found objects of the building a visual conversation will tell the story of the generations of uses and lives that passed through. The building itself has morphed through many forms: a library, a home, storehouse, fire station, The Civil Defence, pigeon layer and finally The MART Gallery and Studios. The exhibition will host interactive and temporal sculptures, sound recordings and photography based on the history of the building itself and the power of place to hold memory and drive the imagination.