{"id":5527,"date":"2020-12-04T19:56:01","date_gmt":"2020-12-04T19:56:01","guid":{"rendered":"https:\/\/mart.ie\/?page_id=5527"},"modified":"2026-03-11T13:19:43","modified_gmt":"2026-03-11T13:19:43","slug":"gallery","status":"publish","type":"page","link":"https:\/\/mart.ie\/gallery\/","title":{"rendered":"Gallery"},"content":{"rendered":"

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\n\t\tMART Gallery <\/h2>\n\t\t
MART Directors Ciara Scanlan & Matthew Nevin have curated and supported hundreds of artists through previous exhibitions, events, festivals and art fairs across Ireland, UK, Europe, USA & Japan. MART Gallery & Studios has a rich history of supporting and promoting the arts, and its artistic program is a reflection of this commitment. In 2013, the MART Directors transformed the old Rathmines Fire Station into two galleries, creating a new home for contemporary art in Ireland.<\/div>\n\t
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\n\t\t\"\" <\/div> \n<\/div> \n\n\n[\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_column_text]MART’s galleries provide a space for artists to showcase their work and engage with local and international audiences. The organization supports artists working across all disciplines, with a particular emphasis on those working in sculpture, video, new media, installation, and live art-making practices.<\/span><\/p>\n

MART is dedicated to supporting artists who push the boundaries of their craft and challenge conventional norms. By providing a platform for these artists to test and stretch their material and immaterial creations, MART helps to promote artistic growth and creativity. The organization’s emphasis on supporting artists helps to ensure the programme remains dynamic, innovative, and inspiring. Through its artistic programme, MART continues to support the growth and development of artists, and to promote contemporary visual art to local and international audiences. This, in turn, helps to foster a vibrant arts community and to ensure that the arts continue to thrive in Ireland and beyond.<\/span>[\/vc_column_text][vc_empty_space height=”42px”][vc_column_text]<\/p>\n

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Since 2007 MART has curated hundreds of events and over 80 exhibitions<\/span><\/a> across Ireland, UK, Europe, USA and Japan, supporting hundreds of emerging and established artists.<\/h3>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

[\/vc_column_text][vc_empty_space height=”62px”][vc_custom_heading text=”Previous Exhibitions” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes” link=”url:http%3A%2F%2Fmart.ie%2Fexhibitions%2F|title:Exhibitions”][vc_column_text css=””]<\/p>\n

2026<\/a>\u00a0|\u00a02025<\/a>\u00a0|\u00a02024<\/a>\u00a0|\u00a02023<\/a> |\u00a02022<\/a> | 2021<\/a> | 2020<\/a> | 2019<\/a> | 2018<\/a> | 2017 <\/a>| 2016<\/a> | 2015<\/a> | 2014<\/a> | 2013<\/a> | 2012<\/a> | 2011<\/a> | 2010<\/a> | \u00a02009<\/a> | 2008<\/a> | 2007<\/a><\/h5>\n

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\n\t\tReflection – Billy Dante\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Irish Contemporaries {v}\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Members Showcase Grainstore Exhibition December 2025\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART PROJECTS 2026\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMart Awards Show 2026\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tWonders Members Exhibition 2026\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Irish Contemporaries {iv}\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGrains of Colour\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGalway Open Studios 2025\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTHE BODY AS A MEMBRANE OF EXPERIENCE\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART AWARDS SHOW 2025\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tShifting Perspectives\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFrames of Reference\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThrough Fresh Eyes\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tWinter Hues\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tIdentity: Arts Alive Galway\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tA TOTAL TRANSFORMATION IS NEEDED\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLivestock – Creation Myths\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tUnder the Feet of Shadows\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tmilksop – Niamh Hannaford\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tVisual Arts Exhibition at The Grainstore\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART AWARDS SHOW 2024\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tWine and Die event\/exhibition\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Irish Contemporaries 3\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTextures – MART Members Summer Exhibition\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Members show 2024\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMagnetic Observatory\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tHow the light gets in: an urban foraging and anthotype workshop\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLivestock | Come What May\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFrom the Past to the Present: Crafting History through Banner Making\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tIrish Contemporaries {i}\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tIrish Contemporaries {ii}\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Awards Exhibition 2023\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tOpen Studios – Grainstore Studios\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tOf Other, And Possibility – Samir Mahmood\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tNow That’s What I Call Vault\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTime Sensitive: Leeward\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMembers Exhibition 2023\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tPresence – Limerick Printmakers\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMutators – Kevin Mooney\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tSleeping Dogs Lie – Kata Kukla\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFuture Forward – QSS\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLucid – Aoife Bambury\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMemory Loss – MART’s Annual Awards Exhibition 2022\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTextile Tensions – Eleanor Lawler\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Studios Members Exhibition 2022\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe\u00a0Eleanor\u00a0Lawler\u00a0Performance Art\u00a0Residency\u00a0\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFRAGMENT MOUTH – Dominic Thorpe\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tAmanda Coogan – Residency\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tKatherine Nolan – Fluid Flesh\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFrancis Fay – Queering the Landscape\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Annual Awards Exhibition 2021\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tCulture-Chats\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tBilly Dante – Butts and Cracks\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMART Studios Members Exhibition 2021\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tList of Exhibitions\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThis Land\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe MART Gallery 2021 Programme\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tAndrew Carson – Until It’s Time for You to Go\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFrom Me To You\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\t\u00c1ine Phillips – Buttered Up\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tHOME made HOME\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tUnison\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tRichard Forrest – A Negative Infinity\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tJames L Hayes – Galvanise\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tCIACLA Summer Program 2019\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tOnwards\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tOde to Urbanity\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tJane Fogarty – Slow Motion\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLectus\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tJason Minsky- Mare Liberum (Freedom of the Sea)\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTransmission – Irelandweek 2018\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tArt Market Budapest 2018\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tDavid Lunney – Things Twice\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tArtonomy\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLivestock 2018\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tActs to Objects\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tCan You Hear Me Now?\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tRe Inforce – Irelandweek 2017\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tArt Market Budapest 2017\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tDoireann Ni Ghrioghair – Deflated Capital II\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tNina Fischer & Maroan el Sani – Freedom of Movement\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tActivating Pangea – Destroy These Walls\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTrouv\u00e9es M\u00e9trage Found Footage\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tDragons of Eden – Aoibheann Greenan & Terence Erraught\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tEcho Chamber – EUCIDA\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tSteven Maybury – A Rhythm Exposed (Routines: 5-6)\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGlitch Festival 2017\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTransmission – Helen Mac Mahon and Sofie Loscher\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tKatherine Nolan – The Mistress of the Mantle\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTomoko Sawada – School Days\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Voyage\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tAll Shimmers Here\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tPhantoms –\u00a0Marc Behrens.\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGlitch Festival 2016\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tSupermarket Art Fair 2016\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tActivating Pangea – DAC Gallery\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tWithout a Future – Margaret O\u2019Brien\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tInstinct\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tPQ Festival 2015\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGlitch Festival 2015\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tNina Fischer & Maroan el Sani -Spelling Dystopia Narita Field Trip\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tLandmarked\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tImitator – Kyoto Arts Center\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\t190A Retelling\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tI Pity The Fool\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tCurb Your Carrie Bradhsawism\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tNon Zero-Sum Art Games\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tUnit 4\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tTelevision\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Big Picture\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tFreedom of the City\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tInvite or Reject\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Stranger\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Galloway Project\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tAn Instructional\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tOpen Door Policy\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tShunt\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tIMOCA\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tThe Free Art Project\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tProjecto Electro\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tChallenging Behaviour\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tthe launch\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tGalway City Museum\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>\t<\/div>\n\t\n\t<\/div><\/div>[vc_empty_space height=”62px”][\/vc_column][\/vc_row][vc_row][vc_column][\/vc_column][\/vc_row][vc_row][vc_column][vc_empty_space height=”62px”][vc_custom_heading text=”Associated Artists” font_container=”tag:h3|text_align:center” use_theme_fonts=”yes”][vc_empty_space height=”62px”]
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\n\t\tDavid Lunney\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tAdam Gibney\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tEleanor Lawler\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tHelen MacMahon\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tJames L Hayes\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tJane Fogarty\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tKatherine Nolan\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tMargaret O’Brien\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>
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\n\t\tRichard Forrest\t\t<\/h4>\n <\/div>\n <\/a>\n <\/div>\n <\/div>\n<\/div>\n\t\t<\/a>\n\t<\/div>\n<\/article>\t<\/div>\n\t\n\t<\/div><\/div>[vc_empty_space height=”62px”][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

[vc_row row_content_width=”grid” simple_background_color=”#f9f7f5″][vc_column][\/vc_column][\/vc_row][vc_row row_content_width=”grid”][vc_column][vc_column_text]MART’s galleries provide a space for artists to showcase their work and engage with local and international audiences. The organization supports artists working across all disciplines, with a particular emphasis on those working in sculpture, video, new media, installation, and live art-making practices. MART is dedicated to supporting artists who push the boundaries of their craft and challenge conventional norms. […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"full-width.php","meta":{"footnotes":""},"class_list":["post-5527","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/pages\/5527","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/comments?post=5527"}],"version-history":[{"count":62,"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/pages\/5527\/revisions"}],"predecessor-version":[{"id":8911,"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/pages\/5527\/revisions\/8911"}],"wp:attachment":[{"href":"https:\/\/mart.ie\/wp-json\/wp\/v2\/media?parent=5527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}